Fenced-In Acre

Writing, Life, and Other Things At Which I Don't Always Succeed

absentminded patterings, mostly.: Fanfiction & Capitalism, and Why I Think They Are Related [TW for homophobia, mentions of sexual violence, capitalism]

hobbitdragon:

Lots of really amazing writers denigrate their work (or have their work denigrated by others) because they write fanfiction rather than “real stories.” The more I think about this, the more messed up I think this is, and I’d like to talk about why.

Part of the reason fanfic…

Better said than I could have. 

One of my main issues with publishing fic has always been that it is an outgrowth of people being unwilling to own the fact that their fanfiction is worthwhile unto itself, that it’s not just a silly hobby. And why would they? At least in Twidom, other fanwriters love to call you a c—- and an egotistical bitch if you *dare* say you’re proud of yourself and your time is well spent writing it. Talk about how it transforms a genre and you’re a stuffy wannabe who needs validation. If you find value in doing something that’s not monetized, obviously, there’s something wrong with you, and not with how we place value.

Money speaks to people in a language they understand. “Oh you sold it for six figures? Okay, doesn’t matter if it’s sketchy, obviously, now you should be proud of what you’ve accomplished!” 

But then what everyone loses is the power that comes with saying, “Screw you all, I’m going to do this counter-cultural thing, and I’m going to do it only because I love to do it. And it’s valuable to write about sex, and it’s valuable to explore these themes, and if you can’t see that, that’s not my problem. And I don’t need your approval or any money to make it worth my time. It’s worth doing because I want to do it, and if you respect me, you’ll respect that.” 

Don’t know about you, but the ability to say that is worth to me every cent that Erika will ever make.

(Also can we talk about the hilarious awesome that this post has a trigger warning for capitalism?)  

2 days ago - 3260

My preliminary thoughts on Kindle Worlds

…because I’m up to 926 words on this other blog post and I haven’t even started talking about the Twilight fandom’s P2P situation nor this thing with Amazon.

The Amazon thing is interesting, and conceptually, I don’t have an issue with it. My sole opposition to P2P has always been that its nature is to disavow the source, and that it pretends that the characters do not belong to another author, and in doing so, knowingly and intentionally uses those characters and those details without that author’s permission.Which is a really heinous line to cross and still consider yourself an author.  

In this instance, the people who hold the rights to authorize derivations are giving their blessing, and the writers are writing in such a way that the ties back to the source will be explicit and intentional—there will be no pretending that “Christian” and “Bennett” and “Gabriel” were never intended to be Edward Cullen. They’ll just be Edward Cullen, and in so being, will pay homage to the source rather than stealing from it and obscuring the origins. (Anyone notice today the unbelievable persistent stickiness of the myth that FSoG is massively edited from MoTU? Say it’s okay that she published it, fine, but don’t try to argue that position on the grounds that they’re different works.That is just factually not true.) 

This kind of character continuity, by the way, is what is happening in something like Death Comes to Pemberley—quite aside from the fact that the copyright has expired, P.D. James is also making very clear to the reader that her books are meant to talk back to Austen’s. The source is acknowledged. Austen is given clear credit for her substantial contribution to the book in having created the world. 

There are a lot of reasons that Amazon’s scheme doesn’t quite fit with fan culture and fanwork, but laying those aside for a second because it actually is true that fandom means different things to different people, the issue of whether or not a fic could ethically be published (at least with regard to doing right by the source author) under these circumstances I think is totally fine. 

That said.

I think anyone who would take this option seriously probably doesn’t understand publishing that well. 

Media tie-ins are as old as media. Hell, just today we got in the latest “Richard Castle” book for our front table. And the contract Amazon is offering is somewhat similar to a standard write-for-hire, as most media-tie-in novels would be. 

Except for one major, MAJOR difference.

The author is shouldering all of the risk and getting none of the benefits. 

When I’ve been paid for my writing, it’s all been write-for-hire of some sort or another. In a standard write-for-hire, the author may or may not get credit that’s usable, and they often sign away all rights. The publishing companies I produce things for own all the rights to everything I produce for them, and if I’m lucky, my name appears in tiny font on the copyright page as a contributor.

The big difference?

My pay is not contingent on how much of whatever I wrote they sell. We agree up front that I’ll get $50 per section, or $2,000 for the whole thing, or 50 cents per finished word, etc. I send them writing, they approve it, they send me a check and some contributors’ copies and bada boom, that’s it. I don’t risk that this will be the year no one wants pre-made bible studies, or the year school district Q decides to use a different company’s test prep workbooks. I do work, I get paid an amount we agreed on in advance, and then they own the shit. If it sells well, bully for them. If it doesn’t, my money is still in my bank account.

The shittiness in the Amazon deal is that it’s self-publishing without the benefits of self-publishing, and write-for-hire without the benefit of guaranteed pay. In SP, you shoulder all the risk, but you also stand to reap all the rewards that come. In this, if you want your fic to stick out, you’ll probably need to commission a decent cover ($), perhaps shell out for real editing ($$), and spend time doing promotion (Time=$). And after all that, it’s the copyright holder who holds the rights to adapt and use your words. They have all the rights, you (potentially) have none of the money. What if you create a new character, the character appears on the show, and someone else writes a fic about that new character that does twenty times better than yours did? You have no recourse whatsoever. You’ve signed away your rights with no money in your pocket. 

Fan culture aside (and there are a lot of reasons to dislike this from a fan culture perspective), the Amazon deal is a completely bum wrap for writers

And that, not any sort of feeling that “Fanfiction being free is sacred!” is why I think Kindle Worlds is a pretty terrible idea. 

ohmycarlisle:

The initial graphic novel designs of Dr. Carlisle Cullen and Esme Cullen by Young Kim.

Stephenie Meyer provided input on both to get them to the final versions. She thought Carlisle looked too much like a teen. She said he needed a stronger jaw, squarer chin, more chiseled mouth and broader shoulders. She was happy with Esme except she thought the hair here was too long and modern.

“It’s a cold night to go up on Hollerman’s Rise,” the ambulance man said, shaking his head as he stretched the body out on the examining table. “The winter gets to some folks, I guess.” He shrugged. “Well, she certainly done what she set out to.”

—From Patroclus Rising, Twilight novella for Team CarlWard Slash.  

Chapter 5 Page 32

Just caught up again. Dear god, I am turning into such a Rhys/Axis fangirl. How many OTPs are allowed in one canon???

4 days ago

It was snowing by the time Carlisle arrived home. The flakes stuck to his own frigid skin and didn’t melt. It would all disappear the moment he crossed the threshold, he knew, but tonight, he didn’t open the door. He laid a hand on the knocker instead, and dropped his head against it.

He hadn’t meant to anger Edward. And the younger vampire was right; there was a name for what they were doing.

Nancys.

Drawing the curtains.

Being three-letter men.

He’d thought it was going to stop when Edward was turned. That once Edward was a vampire, Carlisle’s cravings for his body would stop along with the cravings for his blood.

But it hadn’t. 

 

—From Patroclus Rising, Twilight novella for TeamCarlward Slash 

Because Science is Awesome. 

Energy from the motion of one ticking metronome can affect the motion of every metronome around it, while the motion of every other metronome affects the motion of our original metronome right back. All this inter-metranome “communication” is facilitated by the board, which serves as an energetic intermediary between all the metronomes that rest upon its surface.  

(i09.com)

» But, What About One Day? Writings

And now, instead of churning out 900 words about not writing, I’m going to go actually write. Patroclus is at 15,789 words at present. 

1 week ago - 2

Somehow, in my need to vent about my struggles with my current fic project, the title PATROCLUS RISING has been reduced to the nickname “Patty.”  

At least it makes me laugh while I’m tearing my hair out. 

fionarhiannon:

pugridesshotgun:

Carlisle & Edward — Lost Footage.

Hahaha! I love Edwards face. “You said I was the prettiest!”

Particularly funny given that askcarlisle really does have more followers than askedward (though I suspect that’s only because AJ stopped answering) 

fionarhiannon:

pugridesshotgun:

Carlisle & Edward — Lost Footage.

Hahaha! I love Edwards face. “You said I was the prettiest!”

Particularly funny given that askcarlisle really does have more followers than askedward (though I suspect that’s only because AJ stopped answering) 

(via lyricalkris)